Fine Japanese Cloisonné Enamel Charger Peonies Birds Butterflies Goto Seizaburō
$26,300.00
- An exceptional and highly refined Japanese cloisonne enamel charger from the Meiji period, attributed to the workshop of Gotō Seizaburō, among the most accomplished and artistically sophisticated enamelists of late nineteenth century Japan.
- The charger is centered with an elegant and beautifully balanced composition of blooming peonies, rendered with remarkable delicacy against a deep black enamel ground of exceptional depth. Finely observed songbirds perch among the foliage, their forms articulated with precision and subtle tonal gradation, bringing life and movement to the scene. The treatment of the blossoms—layered and softly modulated—achieves a painterly quality rarely encountered in cloisonné.
- Encircling the central reserve is a richly ornamented border animated by butterflies in flight amidst stylized foliage. Executed in a harmonious palette of soft greens, iron reds, and nuanced yellows, the border provides both visual contrast and compositional unity, reflecting a sophisticated balance between naturalism and decorative structure.
- The technical execution is of the highest order. The work demonstrates exceptional control of cloisonné wire, with clean, confident delineation and a refined use of both opaque and subtly graduated enamels. The detailing of the birds and butterflies, combined with the nuanced rendering of the peony blossoms, reveals a highly skilled hand operating at an advanced level of production.
- Comparable works attributed to Gotō Seizaburō are held in major institutional collections, including the Victoria and Albert Museum, where examples of similar compositional refinement and fully developed reverses are preserved—further supporting the attribution of the present charger to the Gotō workshop.
- 18″ diameter
- Good condition. No damage noted.
- Period: 19th Century
- Place of Origin:Japan
- Style:Meiji
- Diameter: 18 in (45.72 cm)
- Height: 18 in (45.72 cm)
- Date of Manufacture: 19th Century
- Materials & Techniques: Copper,Enamel
and grapes, set against a luminous blue ground. This level of attention to the reverse elevates the piece significantly, as most cloisonné works of the period are left plain or only minimally finished.
